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Screenplay: The Foundations of Screenwriting

Screenplay: The Foundations of Screenwriting

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Author: Syd Field
Publisher: Delta
Category: Book

List Price: $16.00
Buy New: $8.71
You Save: $7.29 (46%)



New (49) Used (45) Collectible (1) from $6.88

Rating: 3.5 out of 5 stars 89 reviews
Sales Rank: 3847

Media: Paperback
Edition: Revised
Pages: 320
Number Of Items: 1
Shipping Weight (lbs): 0.6
Dimensions (in): 8.3 x 5.2 x 0.6

ISBN: 0385339038
Dewey Decimal Number: 808.23
EAN: 9780385339032
ASIN: 0385339038

Publication Date: November 29, 2005
Availability: Usually ships in 1-2 business days

Also Available In:

  • Unknown Binding - Screenplay: The foundations of screenwriting
  • Kindle Edition - Screenplay: The Foundations of Screenwriting
  • Paperback - Screenplay: The foundations of screenwriting
  • Paperback - Screenplay: The foundations of screenwriting (A Delta book)
  • Paperback - Screenplay: The Foundations of Screenwriting; A step-by-step guide from concept to finished script
  • Hardcover - Screenplay
  • Paperback - Screenplay: The Foundations of Screenwriting
  • Hardcover - Screenplay: The Foundations of Screenwriting

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Editorial Reviews:

Product Description
A generation of screenwriters has used Syd Field’s bestselling books to ignite successful careers in film. Now the celebrated producer, lecturer, teacher, and bestselling author has updated his classic guide for a new generation of filmmakers, offering a fresh insider’s perspective on the film industry today. From concept to character, from opening scene to finished script, here are easily understood guidelines to help aspiring screenwriters—from novices to practiced writers—hone their craft. Filled with updated material—including all-new personal anecdotes and insights, guidelines on marketing and collaboration, plus analyses of recent films, from American Beauty to Lord of the RingsScreenplay presents a step-by-step, comprehensive technique for writing the screenplay that will succeed in Hollywood. Discover:

•Why the first ten pages of your script are crucially important
•How to visually “grab” the reader from page one, word one
•Why structure and character are the essential foundation of your screenplay
•How to adapt a novel, a play, or an article into a screenplay
•Tips on protecting your work—three legal ways to claim ownership of your screenplay
•The essentials of writing great dialogue, creating character, building a story line, overcoming writer’s block, getting an agent, and much more.

With this newly updated edition of his bestselling classic, Syd Field proves yet again why he is revered as the master of the screenplay—and why his celebrated guide has become the industry’s gold standard for successful screenwriting.



Customer Reviews:   Read 84 more reviews...

1 out of 5 stars A book full of heresies...   June 1, 2009
Clermont-Ferrand (California)
1 out of 1 found this review helpful

Syd Field who is heralded as a 'Messiah' of screenplay writing and has manifold votaries testifying to the popularity of his cult has written with `Screenplay' what can only be described a book full of heresies.

Not only is his book written in a prosaic and unimaginative style it is replete with tautologous phrases, often capitalized, and annoyingly dispersed every couple of pages. Mr. Field lacks intellectual substance and rigour thus his book reads as if written with only simpletons in mind. His examples are few and are purpose picked to support the tenuous thesis of his own 'paradigm' and anyone with any knowledge of films and a broad literacy of cinema can see that the same old Aristotelian dogmatism is adhered to in spite of theories and practice to the contrary. Syd Field is a proponent of what I would term Hollywood 'Catholicism' where dogma is blindly adhered to and preached from the pulpit despite evidence to the contrary.

Syd Field's `Screenplay' is nothing more than a Hollywoodized catechism that demands refutation and yet, even after thirty years, is still blindly and detrimentally pursued.



5 out of 5 stars Top of my professor's list!   March 16, 2009
M. Gayton (Albany, CA USA)
0 out of 1 found this review helpful

Syd Field is at the top of my screenwriting professor's list of recommended books and after reading it I can see why. While the films he uses as examples are becoming a bit dated, at least in the edition I purchased, they still hold up to examination. The points he makes are simple, but not necessarily easy. I appreciate that he covers each aspect in depth with examples from his own classes as well as award winning films.


4 out of 5 stars Speedy Delivery   October 28, 2008
Vainamoinen Leisti (Seattle, WA, USA)
0 out of 3 found this review helpful

This book I ordered too late to have it arrive for the first class I needed it for. It got there early anyway. Awesome speedy service.


5 out of 5 stars A complete guide...   August 15, 2008
R. Robinson (N.C. by way of TX)
0 out of 2 found this review helpful

to the fundamentals of screen writing. The writer lays out the necessary formula needed to craft a script. He nicely spares you the hyper technical and all details desperate writers of ''how to'',love to fill in; leaving you more confused and less inspired then when you began. I recommend wholly.


1 out of 5 stars A disappointment   June 4, 2008
Natalia Tikhonova (Moscow, Russia)
5 out of 8 found this review helpful

Two years ago I was so anxious to read this "most sought after" screenwriting book I could hardly sleep until the Amazon courier knocked on my door. My God... What a disappointment. This book turned out to be the worst book on screnwriting I had ever read (and I read quite a few being a UCLA film student). Is the author seriously suggesting that, for example, plot point 1 MUST happen on a certain page??? That every 10 pages we MUST have a car chase, an explosion, a death - anything to keep the audience interested? Well... Why don't let a good solid story take care of that? The problem is that a good solid story is not usually based on the plot point/page correlations. Many reviewers here have praised Field's book for analyzing the structure of a story. Alas, no. What Field is offering is not a structure but a formula. Rigid, frosen, still formula. Knowing the principles of storytelling is mandatory for a writer; applying a formula without understanding the foundations is simply useless. And not in the least creative. Sadly, in spite of the title, Field does not give the reader any explanation as to what these foundations are. Again, many reviewers said how helpful this book could be for a beginning screenwiter. Frankly, I don't see how. Field does not present a clean solid introduction to what a story is, does not show the driving forces behind a good story - something any writer must know. Field simply offers you crutches. Here, if you fear you story will fall down, use these - make something important happen on page 27 (or is it 29?). Can a truly inspiring script be written by following Field's rules? I seriously doubt it.

Finally, o God, his writing style is so impossibly dull!



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